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Description
Hamilton Leithauser - Black Hours (LP, Album + 12", S/Sided, EP + Dlx, Ltd, 180) (Mint (M))Media Condition: Mint (M) Sleeve Condition: Mint (M) sealed Notes: Includes a 10 page booklet with artwork for each of the 10 songs on the main album. Includes a download code. 2014 Ribbon Music, LLC. Hamilton Leithauser published by Bambotronic ASCAP. Paul Maroon published by Paul Maroon Music. Rostam Batmanglij published by Rostam Batmanglij Music ASCAP. Paul Maroon administered by Ribbon Music Publishing c o Domino Publishing Company USA (Marron
Media Condition: Mint (M)
Sleeve Condition: Mint (M)
sealed
Notes:
Includes a 10-page booklet with artwork for each of the 10 songs on the main album. Includes a download code. ℗ © 2014 Ribbon Music, LLC. Hamilton Leithauser published by Bambotronic / ASCAP. Paul Maroon published by Paul Maroon Music. Rostam Batmanglij published by Rostam Batmanglij Music / ASCAP. Paul Maroon administered by Ribbon Music Publishing c/o Domino Publishing Company USA (Marron Music / ASCAP). All songs recorded at Vox Studios, Los Angeles except "Self Pity" recorded at Vox Studios and Inner Ear Studios, Washington, D.C., "Alexandra" was recorded at Plymouth & Adams, Brooklyn, NY, Vox Studios and Inner Ear Studios and "I Retired" was recorded at Plymouth & Adams and Vox Studios. All songs mixed at Toast Studios, London, UK except "I Retired" and "Alexandra." Strings recorded at St. Ann & The Holy Trinity Church, Brooklyn Heights, NY. All songs mastered at The Lodge. Artwork: 5 AM: Photograph © Fred J Maroon. The Silent Orchestra: Michael Crespo, Ibis In The Night, 200, Collection of the Museum of Southern Art © Estate of Michael Crespo. Alexandra: Richard Swift, Squaw, 2014, used with artist's permission. 11 O'Clock Friday Night: Photography © Fred J Maroon. St. Mary's County: Mark Leithauser King George, 1979, used with artist's permission. Self Pity: The Jolly Corner III:7 1971 Peter Milton. I Retired: Crest of the District of Columbia. I Don't Need Anyone: Photograph © Fred J Maroon. Bless Your Heart: Mark Leithauser Garden Lion, 1984, used with artist's permission. The Smallest Splinter: Photograph © Brutus Maroon. Waltz: Photograph © Matt Barrick. In Our Time (I'll Always Love You): Imogen Cunningham, 1936 © 2014 The Imogen Cunningham Trust B. Utrecht: Xico Greenwald, Untitled, detail. I'll Never Love Again: Flip Shulke, Freshly Painted Floats.
A1. 5 AM
A2. The Silent Orchestra
A3. Alexandra
A4. 11 O'Clock Friday Night
A5. St. Mary's County
B1. Self Pity
B2. I Retired
B3. I Don't Need Anyone
B4. Bless Your Heart
B5. The Smallest Splinter
C1. Waltz
C2. In Our Time (I'll Always Love You)
C3. Utrecht
C4. I'll Never Love Again
Barcode and Other Identifiers:
Barcode 887834003533
Matrix / Runout RBN 035 A 5-89942
Matrix / Runout RBN 035 B 5-89943
Matrix / Runout 5-90107 RBN-035 LPX
Rights Society ASCAP
Phonographic Copyright (p) Ribbon Music, LLC.
Copyright (c) Ribbon Music, LLC.
Published By Bambotronic
Published By Paul Maroon Music
Published By Rostam Batmanglij Music
Published By Ribbon Music Publishing
Published By Domino Publishing Co. USA
Recorded At Vox Recording Studios
Recorded At Inner Ear Studios
Recorded At Plymouth & Adams
Recorded At St. Ann's Cathedral, Brooklyn
Mixed At Toast (4)
Mastered At The Lodge, New York
Copyright (c) Fred Maroon
Copyright (c) The Estate Of Michael Crespo
Copyright (c) Brutus Maroon
Copyright (c) Matt Barrick
Copyright (c) The Imogen Cunningham Trust B
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4.5 ★★★★★
Based on 681 reviews
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Product Reviews
★★★★★ 5
Lovely
Format: Paperback
Good book, but you know the usual has its fluff, but that’s all Robert Green books. However, the stories are unmatched and if you have a vivid imagination, you’ll be able to understand and comprehend what’s going on ,it’s lovely.
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Reviewed in the United States on May 28, 2026
★★★★★ 4
Different, but in a good way
Format: Paperback
I have read all of Robert Greenes previous books, and I always walked away in amazement. I would see the negative reviews those books received, but I would always ignore them and thank God that I did. That compelled me to buy this book once I saw it was released and once again, the negative review bugs are back out. Normally, I wouldn’t write a review on a book because I would rather the reader form their own opinion. This book is different, and I would like to address this for anyone who is a Robert Greene fan or in the process of becoming one.
This book is exactly what every human alive needs to read, which is why I am writing this review to stop the second guessers. It focuses on how our emotions are destructive and how we must be careful about how freely we let them out now. Yes, the style is different from his past books. He goes into narratives about the different emotions, what they can do, and how we can control them while occasionally touching on how they played out in history. For many fans of his previous books, this can be disappointing as we are used to reading thrilling tales throughout history and how they play into the law he is explaining in that chapter with side bar quotes of knowledge from historic figures. I understand why he could not take that approach with this book, as he wanted to focus more on explaining the emotions on a psychological level instead of a historical one.
Is there entertaining and historic tales in the book? Yes, somewhat but nowhere near like his past books. I ask that you open your mind to this book and allow your knowledge to grow in a world where emotional control is decaying. Like he said in this book, don’t let your emotional impulses cloud your judgement. Step back, take a second, reassess and approach this book with a clear mind. You will thank me for it.
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Reviewed in the United States on May 31, 2020
★★★★★ 5
A must read for all young and old, although, the younger, the better!
Format: Kindle
Simply fabulous! The blend of great concepts, beautifully descriptive stories, insightful analysis, and fascinating narration made it a truly engaging experience.
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Reviewed in the United States on March 9, 2026
★★★★★ 5
In-depth and comprehensive
Format: Kindle
This book was so full of information about the human animal. Is the only wish I had this information earlier in my life. I wish my kids would read it, and perhaps they will. It's very in depth and leaves me reflecting on how I want to change some of my thinking and behaviors like no other book I've read. I wish I belonged to a book club just to discuss it with other readers!
I don't necessarily agree with everything that the author states. But it was a most thought provoking book and I read allot of books! Allot of work went into the writing of this book. Near perfect editing which I appreciated. I am a big fan of human psychology and it held my interest and kept me up too late not wanting to put it down!
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Reviewed in the United States on February 20, 2026
★★★★★ 5
Kubrick’s revelatory swan song is full of hidden meanings
An underrated masterpiece, Eyes Wide Shut is a gem layered with meaning. A semi-autobiographical sensibility permeates given the parameters of its production. It’s immaculately shot, edited and designed and offers two central performances from the then married Tom Cruise and Nicole Kidman. Given its theme, their subsequent divorce reflects back on the choppy waters faced by their characters Bill and Alice Harford.
The result is a dream logic of coincidences that ensnare a married couple in self doubt and sexual angst. They live a fairly privileged life in a Manhattan apartment but after a Christmas party at a huge mansion owned by an elite acquaintance, the relationship begins to unravel when both are confronted by the consequences of their projected desires. This prompts the husband Bill on an odyssey through a night time New York and an escalating series of encounters as his wife’s confession about an infatuation with another man eats away at his own inner, unfulfilled desires.
It’s a dark/light solstice of a film, as man and wife chase fatalistic hidden desire, their marriage subject to dissolution and they plunge through a dark night of the soul and emerge into a morning of earnest confession and much soul searching.
In the end, it’s a fascinating watch. Quite revelatory given my initial reception to it many decades ago. But that’s Kubrick for you. It’s essential to revisit his films. Beautifully presented in 4K by Criterion, it asks us to take ownership of our inner desires, to confront them with honesty and discern what is merely a dream from the reality around us. And no, it’s not the erotic thriller the marketing promised. Another desire thwarted or a deliberate obfuscation of the intense psychological drama it really was?
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Reviewed in the United States on January 26, 2026