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Description
ISAAC CORDAL 'Last Supper' (2018) Rare Custom Framed Giclée + Screen Print'Last Supper' by Isaac Cordal, 2018 Rare Printers Proof from the sold out edition. 19. 75 x 27. 5 Inches 50 x 70 Centimeters 28 x 36. 6 x 1. 2 Inches (framed) Gicle + screen print with spot varnish on deckled edge 300gsm Somerset fine art paper. Limited Edition of only 25 (Rare Printers Proof: #PP) Hand signed and numbered by the artist. Includes original Graffiti Prints COA. *Note: Professionally custom float framed in acid free matting, UV
'Last Supper' by Isaac Cordal, 2018
Rare Printers Proof from the sold out edition.
19.75 x 27.5 Inches
50 x 70 Centimeters
28 x 36.6 x 1.2 Inches (framed)
Giclée + screen print with spot varnish on deckled edge 300gsm Somerset fine art paper.
Limited Edition of only 25 (Rare Printers Proof: #PP)
Hand-signed and numbered by the artist.
Includes original Graffiti Prints COA.
*Note: Professionally custom float-framed in acid-free matting, UV-plexiglass and white hardwood molding.
ARTIST BIO
Isaac Cordal (born 1974) is a Spanish Galician artist whose work involves sculpture and photography in the urban environment. He lives in Brussels and in Galicia.
Cement Eclipses is one of his best known projects consisting of small cement sculptures photographed in urban space. His figures can be found pasted on top of bus shelters, walls, cornices ... by its small size (approximately 15 cm) is necessary to pay much attention to find them. The sculptures serve for the artist as a metaphor to reflect on politics, bureaucracy, power ... They are presented in various absurd situations in urban space. His work can be seen both in galleries and urban space. Small nomadic sculptures have been seen in cities like Brussels, London, Berlin, Zagreb, Nantes, San Jose, Barcelona, Vienna, Malmo, Paris, Milan, Bogotá.
Isaac Cordal's work is a critical reflection on the idea of progress, of human misery, climate change and the gradual devaluation of our existence among others topics. Small sculptures represent primarily a social stereotype apparently next to businessman dressed in bright pink lama onzie and wolf slippers, briefcases, timeless beings, as the gray men of Momo by Michael Ende.
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