Mamadou Kelly: Djamila - VINYL LP

Mamadou Kelly: Djamila - VINYL LPTitle: Djamila Artist: Mamadou Kelly Label: Clermont Music Product Type: VINYL LP UPC: 711574789313 Genre: International Release Date: 2015 11 27 Number of Discs: 1 LP version. Mamadou Kelly comes from Goundam near Timbuktu, the heart of the Niger River inner delta. Having played alongside it's masters, Kelly and his group Ban Kai Na bring a new sophistication to the desert blues genre. With his 2013 album, Adibar (CLE 007CD), Kelly stepped onto the

Title: Djamila
Artist: Mamadou Kelly
Label: Clermont Music
Product Type: VINYL LP
UPC: 711574789313
Genre: International
Release Date: 2015-11-27
Number of Discs: 1

LP version. Mamadou Kelly comes from Goundam near Timbuktu, the heart of the Niger River inner delta. Having played alongside it's masters, Kelly and his group Ban Kai Na bring a new sophistication to the desert blues genre. With his 2013 album, Adibar (CLE 007CD), Kelly stepped onto the international stage to present his own repertoire as soloist and band leader. He received accolades when he toured North America, performing at major festivals and concert halls while recording this album. His band members are old friends: Alpha Hama Sankare, revered genius on calabash and longtime collaborator; master of the monochord djourkel Brehima Youro Cisse; and the young, gifted bassist Baba Traore. For Djamila, Kelly wanted to expand the sound and invited western musicians to contribute to the groove. Calling in some neighbors from Woodstock, NY, producer Chris Nolan added Pete Levin on keyboards, Duke McVinnie on electric guitars, and Jane Scarpantoni on cello. Also on hand at the sessions was Leila Gobi, prominent vocalist from Menaka in Northern Mali, who provides chorus backup on three of the tracks. Kelly's smooth vocals and deceptively effortless guitar playing quickly charm his audiences. Steeped in rich historical background, his lyrical style combined with Ban Kai Na's virtuosic delivery makes it all sound so easy. Yet at the time of these recordings they all had just witnessed severe political unrest and social violence in Mali. It was a real presence during the sessions. You can hear it, the real source of the blues.

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