Hollyland Pyro 7 Wireless Transceiver Monitor (7-Inch)

The Hollyland Pyro 7 Wireless Transceiver Monitor (7-Inch) is an all-in-one independent field monitor and wireless video transceiver module designed for professional cinema sets, commercial video productions, and indie filmmaking crews.

Instead of dealing with a messy camera rig cluttered with separate monitors, wireless receivers, and external power loops, the Pyro 7 condenses everything into a single, high-performance 7-inch 1200-nit touchscreen field monitor that houses an integrated 2.4 GHz and 5 GHz dual-band transceiver motherboard.

Core RF, Optical & Engineering Features

• TX/RX Transceiver Versatility: There are no separate transmitter or receiver variants of this hardware. Each individual Pyro 7 unit can be instantly toggled via its touchscreen menu to act as either a Transmitter (TX) or a Receiver (RX). This enables rapid configuration changes on set without swapping physical hardware modules.

• Auto-Dual-Band (2.4 GHz + 5 GHz) Pyro-Wave Tech: The monitor utilizes Hollyland’s dual-band infrastructure, transmitting across both 2.4 GHz and 5 GHz bands simultaneously. If a venue's local Wi-Fi or wireless equipment creates a sudden surge of 5 GHz interference, the monitor automatically patches data streams to the 2.4 GHz band in real-time, maintaining an ultra-stable link with an unnoticeable 0.06s (60ms) latency.

• Daylight-Viewable 1200-Nit Touchscreen: Features a high-density, $1920 \times 1200$ resolution IPS LCD display panel with 1200 nits of peak brightness. This allows directors, DPs, and focus pullers to confidently evaluate critical focus, exposure, and framing outdoors under direct midday sunlight without requiring a bulky sun hood.

• Long-Range Multi-Receiver Broadcasting: Delivers a reliable line-of-sight transmission range of up to 1,300 feet (400 meters) in Broadcast Mode. A single Pyro 7 transmitter can simultaneously broadcast a high-definition video and audio feed to up to four independent Pyro receivers or monitor nodes across the set.

• Dual SDI + HDMI Signal Matrix: Built with professional cinema connections, the chassis houses 1× HDMI Input, 1× HDMI Loop Output, 1× 3G-SDI Input, and 1× 3G-SDI Output. It features hardware cross-signal conversion, allowing an HDMI feed coming into a transmitter unit to be outputted as a clean SDI signal on the receiving monitor end.

System Interoperability

The Pyro 7 is engineered to integrate natively with Hollyland’s expanded Pyro wireless ecosystem, allowing crews to mix and match hardware form factors based on their rigging constraints:

• Standalone Units: Connects seamlessly with the Pyro H (HDMI-only) and Pyro S (SDI & HDMI) standalone wireless transmitter and receiver boxes.

• Hybrid Rig Configurations: A camera team can mount a compact Pyro S transmitter directly onto an operational cinema package, and stream the feed directly across the set into a Pyro 7 monitor configured as an RX station for a handheld director's cage.

Technical Specifications Matrix

Custom Monitoring Tools (HollyOS)

The device runs an optimized internal operating system tailored specifically for precision image evaluation:

• Custom 3D LUT Importing: Upload camera log conversion profiles (S-Log3, V-Log, C-Log) directly via an SD card to accurately preview final color grades on set.

• Advanced Exposure & Focus Assessment: Instantly deploy professional monitoring overlays including Waveform, Vectorscope, Histogram, False Color, Zebra Markers, and customizable Focus Peaking thresholds.

• On-Monitor MP4 Clip Recording: Operators can record up to 40 minutes of continuous live video feeds directly onto an external SD card. This feature is perfect for instant playback evaluation, scratching rough cuts, or immediate script supervisor reference without bothering the camera department.

On-Set Power Optimization Protocol: The back of the Pyro 7 chassis features a Dual NP-F battery plate. The internal circuit logic supports hot-swapping—meaning when one battery runs low, you can safely remove and replace it while the monitor continues running off the secondary slot. This prevents having to power down the camera's video transmission line between takes, keeping video village permanently live during fast-paced production schedules.