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Description
Canon EOS R5C Mirrorless Cinema CameraOverview: The Canon EOS R5C Mirrorless Cinema Camera is a cutting edge camera that revolutionizes the way filmmakers capture and create content. With its advanced features and superior image quality, this camera is designed to meet the demands of professional cinematographers. Superior Image Quality: The Canon EOS R5C boasts a 45 megapixel full frame CMOS sensor, which ensures stunning clarity and detail in every shot. Paired with the DIGIC X Image
Overview:
The Canon EOS R5C Mirrorless Cinema Camera is a cutting-edge camera that revolutionizes the way filmmakers capture and create content. With its advanced features and superior image quality, this camera is designed to meet the demands of professional cinematographers.
Superior Image Quality:
The Canon EOS R5C boasts a 45-megapixel full-frame CMOS sensor, which ensures stunning clarity and detail in every shot. Paired with the DIGIC X Image Processor, this camera delivers exceptional low-light performance and high-speed image processing.
Unparalleled Video Capabilities:
This Canon mirrorless Camera cinema camera allows filmmakers to shoot 8K RAW video internally, providing an unprecedented level of detail and flexibility in post-production. Additionally, it supports 4K recording at up to 120 frames per second for silky smooth slow-motion footage.
Advanced Autofocus System:
Featuring Canon's Dual Pixel CMOS AF II technology, the EOS R5C offers incredibly fast and accurate autofocus performance. Whether you're tracking moving subjects or shooting in challenging lighting conditions, this camera will ensure your shots are always in focus.
Built for Professionals:
Designed with professional filmmakers in mind, the Canon EOS R5C offers a range of features that enhance workflow efficiency. It features dual memory card slots for easy backup and seamless switching between cards. The built-in Ethernet port allows for fast data transfer and remote operation.
Versatile Connectivity Options:
The EOS R5C Mirrorless camera supports various connectivity options, including Bluetooth and Wi-Fi, enabling seamless integration into existing workflows. It also features HDMI output for monitoring external displays or recorders.
In conclusion, the Canon EOS R5C Mirrorless Cinema Camera is a game-changer for cinematographers seeking uncompromising image quality and advanced video capabilities. With its cutting-edge technology and user-friendly design, this camera empowers filmmakers to bring their creative vision to life like never before.
Canon R5C Specs
Imaging
| Lens Mount | Canon RF |
| Lens Communication | Yes, with Autofocus Support |
| Sensor Resolution | Actual: 47.1 Megapixel Effective: 45 Megapixel (8192 x 5464) |
| Sensor Type | 36 x 24 mm (Full-Frame) CMOS |
| Crop Factor | 1.6x |
| Pixel Pitch | 5.5 µm |
| Image Stabilization | Digital |
| Built-In ND Filter | None |
| Internal Filter Holder | No |
| Capture Type | Stills & Video |
Exposure Control
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Mechanical Shutter 1/8000 to 30 Seconds Electronic Front Curtain Shutter 1/8000 to 30 Seconds Electronic Shutter 1/8000 to 0.5 Seconds |
| Bulb/Time Mode | Bulb Mode |
| ISO Sensitivity | Photo 100 to 51,200 in Manual Mode (Extended: 50 to 102,400) 100 to 12,800 in Auto Mode (Extended: 100 to 51,200) Video 100 to 51,200 (Extended: 50 to 102,400) |
| Metering Method | Center-Weighted Average, Evaluative, Partial, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | 0 to 0K Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Tungsten |
| Continuous Shooting | Mechanical Shutter Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG) Electronic Shutter Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
Internal Video Capture
| Raw Recording | Raw, Cinema RAW Light 8192 x 5464 at 23.98/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s] 5952 x 3140 at 23.98/24.00/29.97/50/59.94 fps [544 to 1360 Mb/s] 2976 x 1570 at 23.98/24.00/25/29.97/50/59.94 fps [138 to 344 Mb/s] |
| Recording Modes | Raw 12-Bit DCI 8K (8192 x 4320) at 23.98p/24.00p/25p/29.97p [2600 Mb/s] AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/59.94p/100p/119.88p [160 to 810 Mb/s] UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/100p/119.88p [160 to 810 Mb/s] Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [50 to 310 Mb/s] HD (1280 x 720) at 50p/59.94p [8 to 12 Mb/s] AVC-LongG/MP4 4:2:2 10-Bit DCI 8K (8192 x 4320) at 23.98p/24.00p/25p/29.97p [400 to 540 Mb/s] UHD 8K (7680 x 4320) at 23.98p/25p/29.97p [400 to 540 Mb/s] DCI 4K (4096 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98p/25p/29.97p/50p/59.94p/119.88p [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [35 to 50 Mb/s] Full HD (1920 x 1080) at 23.98p/25p/29.97p/50p/59.94p [35 to 50 Mb/s] HD (1280 x 720) at 50p/59.94p [8 to 12 Mb/s] AVC-LongG/MP4 4:2:0 8-Bit DCI 4K (4096 x 2160) at 23.98PsF/24.00p/25p/29.97p/50p/59.94p/119.88p [100 to 225 Mb/s] UHD 4K (3840 x 2160) at 23.98p/24.00p/25p/29.97p/50p/59.94p [100 to 225 Mb/s] DCI 2K (2048 x 1080) at 23.98p/24.00p/25p/29.97p/50p/59.94p [35 to 50 Mb/s] Full HD (1920 x 1080) at 23.98p/24.00p/29.97p/50p/59.94p [35 to 50 Mb/s] HD (1280 x 720) at 50p/59.94p [8 to 12 Mb/s] |
| Sensor Crop Modes | Super35 / APS-C 5952 x 3184 4096 x 2160 3840 x 2160 Super16 2976 x 1570 |
| Sensor Crop While Recording | 5K (5088 x 3392) in 1.6:1 When Recording in Raw 2K (2400 x 1600) in 1.6:1 When Recording in Raw |
| Gamma Curve | Canon Log 3, HDR-HLG, HDR-PQ, Rec2020, Rec709 |
| Recording Limit | Unlimited |
| Video System | NTSC/PAL |
External Video Capture
| External Recording Modes | 4:2:2 10-Bit via HDMI DCI 4K (4096 x 2160) up to 59.94p UHD 4K (3840 x 2160) up to 59.94p |
| IP Streaming | None |
Still Image Capture
| Image Sizes | 3:2 JPEG / Raw 8192 x 5464 5088 x 3392 3:2 JPEG / Raw 8192 x 5464 5808 x 3872 4176 x 2784 2400 x 1600 4:3 JPEG / Raw 7280 x 5464 5152 x 3872 3715 x 2784 2112 x 1600 16:9 JPEG / Raw 8192 x 4608 5808 x 3264 4176 x 2344 2400 x 1344 1:1 JPEG / Raw 5456 x 5456 3872 x 3872 2784 x 2784 1600 x 1600 |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | C-RAW, HEIF, JPEG, Raw |
| Bit Depth | 14-Bit |
Interface
| Media/Memory Card Slot | Slot 1: CFexpress Type B Slot 2: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x Micro-HDMI Output |
| Audio I/O | 1 x 1/8" / 3.5 mm TRS Stereo Mic/Line Input 1 x 1/8" / 3.5 mm TRS Stereo Headphone Output |
| Power I/O | 1 x USB Type-C (9 VDC at 3 A) Input |
| Other I/O | 1 x USB Type-C (USB 3.2 / 3.1 Gen 2) (Shared with Power Input) |
| Wireless | Bluetooth Control 2.4 / 5 GHz Wi-Fi 5 (802.11ac), Wi-Fi 4 (802.11n), Wi-Fi (802.11b/g), Wi-Fi Video Output, Control |
| Global Positioning (GPS, GLONASS, etc.) | None |
Monitor
| Size | 3.2" |
| Resolution | 2,100,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
Viewfinder
| Type | Built-In Electronic (OLED) |
| Size | 0.5" |
| Resolution | 5,790,000 Dot |
| Eye Point | 23 mm |
| Coverage | 100% |
| Magnification | Approx. 0.76x |
| Diopter Adjustment | -4 to +2 |
Focus
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Phase Detection: 1053 |
| Autofocus Sensitivity | -6 to +20 EV |
| Built-In Flash | No |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | eTTL |
| External Flash Connection | Hot Shoe |
Environmental
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Operating Humidity | 0 to 85% |
General
| Battery Type | Canon LP-E6N |
| Tripod Mounting Thread | 1 x 1/4"-20 Female (Bottom) |
| Accessory Mount | 1 x Intelligent Hot Shoe |
| Dimensions (W x H x D) | 5.6 x 4 x 4.4" / 142.2 x 101.6 x 111.8 mm |
| Weight | 1.5 lb / 680 g |
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4.2 ★★★★★
Based on 1554 reviews
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★★★★★ 5
The best book I have ever read
The best book I have ever read, I would read it 100 times more. I recomend it a ton. Go buy it now!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2026
★★★★★ 5
The hate you give; that end up making me LOVE YOU
You can tell that Ally had so many doubts when it came to Chase... Especially when it came to her feelings for him and how he felt for her. I figured he had a thing for her even though what he did at the dance freshman year was a bust... though it was the right thing to do for Ally though I believe he should've given Ally an option to decide that decision with Declan... her doubts with Chase has the present intervening with the past which had proven to see him being so different... but things can change....I think he hated her ONLY because she hated him... & jumped to a conclusion before he could explain to her why he did what he did at the dance... Same when she accused him of the photo when she went to that club and dancing on the pole.. she accused him and came to a conclusion that he did it... she only found out that he didn't do it... because Declan and Chase got into it; by Chase demanding him to apologize... Declan wasn't even worth the air she breathes in senior year or freshman year if you look at it.... plus Chase parents are horrible especially his father sheesh no one wants a parent like that...
But oh.... when he (Chase) said: "I didn't have a choice, Ally, because if I didn't hate you, I would love you, and loving you would only break my heart." I knew that had to be the reason, and I knew he liked/loved her, but she was to blind to see through her hate for him... by getting mad about Declan who was the same person he was freshman year to senior year. I figure I was right too... but kind sad and thinking duh Ally when she stated: "I'd created an enemy out of a boy whose only fault was loving me, and my heart was breaking from his words." Sometimes you learn from your mistakes... but half the time I thought Tessa set Ally up with Chase so that feelings can start to show on Ally side since Chase already had feelings. No way; you think you not like someone; can't get rid of someone if you "hate them".. when you can you actually can't stand them; when you don't think you have feelings. No way I will be around someone or try rid them if I dislike them for bullying me down or hurting my feelings...they wouldn't be in the same home heck I wouldn't care what my daddy said... build me a treehouse I don't have time for living in a house with the enemy... in reality Chase was not Ally enemy he was her lover she just didn't know it yet.... but at least, in the end, he showed her that no matter what I'm coming for you "to make you my girl; because I always love you" and she finally stops running and agree to date him once she found out that her father knew about Chase loving her among other things. But besides that... UGH! I need a book with Ally twin brother Shane and her best friend, Tessa... I would like to see them together because she has a thing for him and he doesn't even know!!! But maybe he does!
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Reviewed in the United States on June 28, 2019
★★★★★ 5
Great Read!
Format: Paperback
Bought this booking looking to learn more about the processes of buying and managing real estate. Very informative and extremely helpful, not boring and straight to the point. Mostly written by his advisors but Robert does have some stuff to say before every chapter. All in all great read and I learned lots. Definitely a must as you’re working your way through his books.
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Reviewed in the United States on September 12, 2023
★★★★★ 5
Amazing
Format: Paperback
Such an amazing book of information I learned so much about this has tons of professionals and tips
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Reviewed in the United States on April 8, 2024
★★★★★ 5
good deal
Format: Paperback
great book
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2025
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