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项目标签
请使用初濑君生日站广告项目 2026 专用的标签来帮助宣传该项目。🙌
项目特定主题标签
#2026 年生日快乐
支持该项目的好处
●我们可以一起庆祝初濑君的生日。
●我可以向初濑君表达我的谢意。
关于本项目的策划者
初濑君的生日广告企划是初濑君。应援这个组织的成立是为了让更多的人了解他。这次我们想隆重地庆祝2026年初濑君的生日。
关于策划的过程和想法
向努力工作的初濑君祝贺生日！我要向初濑君表示祝贺！ ！为了表达这种感觉，今年我第一次推出了生日项目。
大家来盛大地庆祝初濑君的生日吧！
项目概况
这个项目是爱豆代理JAPAN通过这个项目，我们将以众筹的形式向所有支持这个项目的人收集捐款，并庆祝初濑君的生日。应援广告这是一个要发布的计划。
主要应援广告
是第一个目标应援该广告将在东急涩谷站张贴一周，直至初濑生日7月16日为止。
如果我们获得大量支持，我们会考虑将多个地点作为次要目标。
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车站海报图片
时间表
| 日期 | 内容 |
|---|---|
| 2026年4月15日 - 2026年5月25日 | 支持资金申请期限 |
| 2026年7月10日至16日 | ★预定广告实施日期★ |
| 2026 年 7 月 31 日 | ★退货的预计交货日期★ |
*请注意，该时间可能会根据项目的进展情况而有所不同。
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@827kun_HBD
关于支援金
目标金额
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如果支持金额超过目标金额，则追加应援广告我们将执行！
我们将告知您本项目页面、X（Twitter）等将添加的广告内容。
扶持资金如何使用
所筹集的资金将用于以下目的：
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剩余资金如何使用
即使是1日元的捐赠资金也将用于初濑的生日活动，而不会掌握在组织者手中，任何未使用的剩余资金（最多49,999日元）将结转到下一个项目。
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如果该项目没有达到目标金额，我们将更改广告内容并实施。在这种情况下，我们将在此项目页面和 X 上提前通知您。
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退货金额将含税。
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11,000日元
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*退货产品数据将由策划师发送给您。
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●数据格式的返回项目和项目收支报表数据将由策划人员发送。
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●虽然以多种语言显示，但我们使用自动翻译，因此外语的表达可能会有所不同。请注意“日语”是正确的句子。
●补助金额将征收消费税。付款时将添加税费。请注意，规划者可用于其项目的金额是收取的不含税金额。
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对于给您带来的不便，我们深表歉意，但一旦收到您的支持，就无法取消。请您仔细考虑并支持我们。如果由于主办方或代理机构方面的问题导致该项目无法正确实施，则不适用。
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4.8 ★★★★★
Based on 1191 reviews
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Product Reviews
★★★★★ 5
Good Guide to Writing in General
Format: Paperback
What Gardener says about fiction can equally apply to writing any good prose. He was a master teacher and this book definitely shows his skills in conveying the underlying knowledge to others.
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Reviewed in the United States on December 30, 2024
★★★★★ 5
First Aid for Writers Seeking to Tell Stories
Format: Paperback
This is such a wonderful tool for anyone who has a yearning to write fiction. Gardner's voice is challenging, nurturing and extremely informative for those who have a passion to jump on the path for mastering the art of story telling. He can be curt and dismissive for those who get 'lazy,' even taking to task some very skilled and famous writer's more feeble attempts (Hello, Mr. Faulkner). Gardener is a strong advocate of W.W. Watt's masterpiece for beginning writer's "An American Rhetoric," a book that is out of print , but can be found in many larger public libraries.
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Reviewed in the United States on March 31, 2016
★★★★★ 5
” shows what it is like to be young and irresponsible
Format: Paperback
This book offers relatable poems about youth all the way up to adulthood. No matter the readers’ age, they can find something relatable in this book.
One of the first poems, “River Gods,” shows what it is like to be young and irresponsible. This poem describes an instance where two young guys are walking on top of a railroad trestle, which is above the Tennessee River. “Since no one wants to cheat a foolish death alone, / I convinced my friend to leave his satchel on the bank / and we stepped out a hundred feet over the night” (“River Gods,” 13-15). This stanza shows that the two guys knew that what they were doing was dangerous and potentially deadly. This poem in comparison with other poems in this book really demonstrates recklessness in youth.
While in that poem readers see the recklessness associated with youth, “Piano Key,” a later poem in the book, provides an insight into a more serious adulthood. In this poem, the narrator is dealing with the memories associated with his grandmother’s piano.
I plunk my way left to right, up from the deep-forest
Bass notes toward the bright high registers,
Just past middle C, a dead spot I remember as a child,
A crucial note that will not sing. (“Piano Key,” 13-16)
The narrator does not provide much insight into his emotions, besides the fact the narrator is remembering something from when he was a child, but there is a sense of longing created because his grandmother is likely dead, which is why he is reminiscing about the piano. Going from “River Gods” to “Piano Key” provides different narrators. The first narrator does not care about his future; he only cares about what he is doing right at that moment. The narrator in “Piano Key” is thinking about the future and the past. If these narrators are the same, readers can definitely see how the narrator has changed and grown up.
In “Digging the Pond,” there is a notable shift where the narrator, a young teenager, notices that him and his dad are different.
He can name every species of tree, wild root,
the compounds of the soil in every field,
and knows that I stood off to the side too often
to learn what he was born knowing. (“Digging the Pond,” 21-24)
In this part of the poem, the narrator is realizing that he does not know something that his dad knows really well. When a child notices that they are different than their parent, it is usually a significant moment in that child’s life. The narrator in this poem seems to be realizing that he is growing up and changing; he knows he is no longer doing everything his parents are doing or enjoying it.
Tennessee Landscape with Blighted Pine is a great book for poems about growing up and changing. This book grows with readers as the readers grow. I highly recommend this book.
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Reviewed in the United States on November 30, 2017
★★★★★ 5
A fine performance
Format: Paperback
You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it
in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been.
The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current."
Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice.
Very highly recommend this book.
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Reviewed in the United States on February 24, 2013
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values.
In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values:
. . . I stood off to the side too often
to learn what he was born knowing.
The doing and the undoing.
I can find in his face what he reads
about the future in the tea-colored water,
his eyes and mine trying to avoid it.
Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE.
Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
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Reviewed in the United States on December 30, 2011