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Description
thinkware Q1000D32 2K QHD FRONT & REAR DASH CAM KIT (Q1000) - 32GBHoused in a sleek compact award winning design, the Thinkware Q1000 Dash Cam captures True 2K QHD 1440P resolution front and rear with a wide field of view, providing the ultimate protection for your vehicle. Featuring Dewarping Technology combined with High Dynamic Range (HDR) and Super Night Vision 3. 0, be it day or night, the Q1000 produces clear accurate footage to capture undeniable evidence. With Thinkware Connected on board*** monitor your
Housed in a sleek compact award winning design, the Thinkware Q1000 Dash Cam captures True 2K QHD 1440P resolution front and rear with a wide field of view, providing the ultimate protection for your vehicle. Featuring Dewarping Technology combined with High Dynamic Range (HDR) and Super Night Vision 3.0, be it day or night, the Q1000 produces clear accurate footage to capture undeniable evidence.
With Thinkware Connected on-board*** monitor your vehicle remotely via your smartphone with the Thinkware Connected app. With the Q1000 connected to the internet, the dedicated Thinkware Connected app gives you access to strong impact notifications while driving, impact notifications when parked, emergency message, remote live view, vehicle status & driving history and captured image of most recent parking.
Loaded with advanced safety technology the Q1000 will help protect you on the road. The Road Safety Warning System includes; Lane Departure (LDWS), Forward Collision (FCWS), Urban Forward Collision (uFCWS) and Front Vehicle Departure (FVDW). When enabled, the dash cam will alert you of these upcoming events to help you avoid an incident. The integrated GPS records speed and location data, as well as providing alerts for upcoming Speed Cameras, Red Light Cameras and Mobile Speed Zones.
The Q1000 will not only capture an incident while driving but also provide surveillance while the vehicle is parked**. With hardwiring installation, enjoy parking protection against potential mishaps and hit-and-runs by capturing footage when an impact or motion is detected. You can tailor the Q1000 Parking Surveillance Mode to the coverage that best fits your surveillance needs by choosing from Impact/Motion Detection, Time Lapse, or Energy Saving parking modes.
Built-in Bluetooth and dual band Wi-Fi allows hassle-free dash cam pairing with your compatible Android or iOS device via the Thinkware Dash Cam Link App. Once paired, replay your latest driving videos and manage your dash cam’s settings with the Thinkware Link App.
Supplied as a kit, the Q1000D32 includes a dash cam, rear cam, 12/24V hard wire kit, heat blocking film and a 32GB Micro SD card.
Important Information:
- (**) Hard wire kit installation required for parking mode features, HWC included in kit.
- (***) Thinkware Connected Feature disclaimer:
- To use this feature the dash cam requires an internet connection via mobile hotspot. Connecting the dash cam to a mobile hotspot device or a Wi-Fi network with Internet access will consume data. Carrier/Service Provider charges may apply.
- The smartphone used to set up the Internet connection on the dash cam cannot also be used as a mobile hotspot for the dash cam. A different hotspot device/smartphone is required.
- To connect the dash cam to the internet, use the Thinkware Dash Cam Link App. Once the dash cam is connected to the internet, you can go to the Thinkware CONNECTED app to get access to CONNECTED features.
- For Electric Vehicles (EV) and modern vehicles fitted with Variable Voltage (Smart) Alternators we recommend installing the dash cam with the Thinkware IVOLTMN External Dash Cam Battery (sold separately).
Smartphone Apps:
Download the THINKWARE CONNECTED LTE APP here:
Download the THINKWARE DASH CAM LINK APP here:
Features:
- True 2K QHD 1440P front and rear resolution with 156 degree wide angle lens
- Thinkware Connected: locate vehicle, driving impact notification and remote live view (hotspot connection required)
- Thinkware Dash Cam Link App: control and manage your dash cam via the smartphone app
- Advanced Driving Alert System (ADAS); Lane Departure (LDWS), Forward Collision (FCWS), Urban Forward Collision (uFCWS) and Front Vehicle Departure (FVDW)
- Safety Camera Alerts: speed camera, red light camera and mobile speed zones
- Parking Surveillance Mode: motion detection, impact detection, time lapse and energy saving
- Super Night Vision 3.0 with 5.14MP Sony Exmor R STARVIS sensor
- Built-in dual-band Wi-Fi and Bluetooth for easy device pairing
- Built-in GPS embeds speed, time and location data into recorded footage
- HDR (High Dynamic Range) multi-exposure captures maximum detail in high contrast scenes and corrects exposure levels
- Dewarping technology delivers a close-to-real picture with minimal distortion
- Heat blocking film included to protect the dash cam in high temperatures
- Supplied with a 32GB Micro SD, supports up to 256GB
Specs:
- Channels: 2
- Resolution:
- Front: 2K QHD (2616X1964) at 30 fps or FHD (1920×1080) at 60 fps
- Rear: 2K QHD (2616X1964) at 30 fps or FHD (1920×1080) at 30 fps
- Camera Angle: 156 Degree (front and rear)
- Image Sensor: Sony Exmor R STARVIS sensor 5.14 Megapixel, Type 1/2.8"
- Dimensions:
- Front: 100.3x71.9x30 mm
- Rear: 61x27x25 mm
- Video Enhancement Technology: Dewarping, High Dynamic Range (HDR), Super Night Vision 3.0
- Thinkware Connected: Yes***
- WIFI: Yes (Dual Band 2.4GHz / 5GHz)
- Bluetooth: Yes (V5.1, BLE)
- GPS: Yes
- G-Sensor: Yes
- Super Capacitor: Yes
- High Temperature Protection: Yes
- Operating / Storage Temperature: -10C to +60C / -20C to +70C
- Power Input: DC 12/24V
- Power Consumption: 2CH 5.4W / 1CH 3.8W (mean)
- Voltage Detection / Cut Off: Yes
- Accessory Socket Power Adaptor: 12VCC Optional
- Hard Wire Kit: Included
- Rear Camera Cable Length: 7.5m
- Mounting Type: Adhesive Mount
- Safety Camera Alerts: Fixed Speed Camera, Mobile Speed Camera Zone, Average Speed Zone, Red Light Camera
- Advanced Driver Alert System (ADAS): LDWS, uFCWS, FCWS, FVDW
- Recording Modes: Continuous, Incident, Manual, Parking** (Motion, Impact, Time Lapse, Energy Saving)
- Video Format: MP4
- Video Codec: H.265
- Audio Codec: HE-AAC
- Memory Card: 32GB UHS-1 included, supports up to 256GB
- Important Information:
- (**) Hard wire kit installation required for parking mode features, HWC included in kit.
- (***) Thinkware Connected Feature disclaimer:
- To use this feature the dash cam requires an internet connection via mobile hotspot. Connecting the dash cam to a mobile hotspot device or a Wi-Fi network with Internet access will consume data. Carrier/Service Provider charges may apply.
- The smartphone used to set up the Internet connection on the dash cam cannot also be used as a mobile hotspot for the dash cam. A different hotspot device/smartphone is required.
- To connect the dash cam to the internet, use the Thinkware Dash Cam Link App. Once the dash cam is connected to the internet, you can go to the Thinkware CONNECTED app to get access to CONNECTED features.
- For Electric Vehicles (EV) and modern vehicles fitted with Variable Voltage (Smart) Alternators we recommend installing the dash cam with the Thinkware IVOLTMN External Dash Cam Battery (sold separately).
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.1 ★★★★★
Based on 2299 reviews
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Product Reviews
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section.
When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes:
"another woman" "in uniform" "from above ground"
"entered" "the train" "She was fireproof" "she wore gloves, & she"
"took" "the baby" "took the baby" "away from the"
"mother" "Extracted" "the burning baby" "From the fire" "they
made together" "But the baby" "still burned"
("But not yours" "It didn't happen" "to you")
"We don't know yet" "if it will" "stop burning,"
"said the uniformed" "woman" "The burning woman" "was crying"
"she made a form" "in her mind" "an imaginary" "form" "to
settle" "in her arms where" "the baby" "had been" "We saw
her fiery arms" "cradle the air" "She cradled air" ("They take your
children" "away" "if you"re on fire")
"In the air that" "she cradled" "it seemed to us there" "floated"
"a flower-like" "a red flower" "its petals" "curling flames"
"She cradled" "seemed to cradle" "the burning flower of" "herself gone"
"her life" ("She saw" "whatever she saw, but what we saw" "was that flower")
After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns.
The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book.
The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole.
If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems.
The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses.
I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book.
I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down.
I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long.
Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015