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Description
Beatrice D8+/5F - 8 Channel Desktop with extra I/O & Loops. 5 pin Female XLRThe Beatrice D8+ is the fully featured Beatrice R8 in a desktop format. It offers 2 x analogue 4 wires, GPIO, local analogue LS output and expansion capability in addition to the standard features on the smaller Beatrice D8. Because the Beatrice D8+ started life as a 1RU rack, it is quite physically large and we would only recommend it if you specifically need the extra facilities mentioned above. For most customers requiring an 8 key desktop unit,
The Beatrice D8+ is the fully featured Beatrice R8 in a desktop format. It offers 2 x analogue 4 wires, GPIO, local analogue LS output and expansion capability in addition to the standard features on the smaller Beatrice D8. Because the Beatrice D8+ started life as a 1RU rack, it is quite physically large and we would only recommend it if you specifically need the extra facilities mentioned above. For most customers requiring an 8 key desktop unit, the smaller Beatrice D8 will be sufficient.The Glensound BEATRICE D8+ is a versatile and fully featured 8 channel desktop intercom with crystal clear audio designed for broadcast, theatre and professional audio applications.
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks, it is also AES67 compliant. As such the BEATRICE D8+ is fully compatible with other manufacturers’ equipment using the Dante and/ or AES67 protocols.
This desktop intercom was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
8 Channels Of Intercom
One single user connected to the unit can listen to and communicate with 8 separate locations on the network. Depending upon how the Dante network has been routed, the incoming audio circuits and outgoing circuits can be different locations.
Dante Routing & Partyline
Audio routing to/ from other devices is setup using Dante controller which allows for point to multipoint routing on outgoing circuits (but only 1 single incoming circuit for each of the 8 channels). Therefore we’ve included an inbuilt fixed ratio 14 input 19 output mixer matrix with inputs and outputs connected directly to the Dante / AES67 network which allows for setting up partyline and complex group circuits.
Onboard Mic & External Mic Input
A good quality, clear sounding microphone amplifier designed for communication purposes is fitted which also has the benefit of a compressor/ limiter circuit to help keep levels and intelligibility consistent even when the operator gets overly excited. This microphone amp has two microphone sources, either the inbuilt front panel mounted electret capsule which provides good voice intelligibility from normal working distances, or a balanced XLR input for connecting external gooseneck microphones. Twelve Volt Phantom power is also available and can be turned on/ off as required via an internal link.
High Output Intelligible Loudspeaker
What’s the point of an intercom unit if the onboard speaker is so cheap that you can’t understand what is being said to you? We tried hundreds of different drive units before settling on the one used in the Beatrice D8+. We chose it because it had a much cleaner sound and better frequency response for vocals than any other speaker on the market that would fit in the desktop unit.
Mains or PoE Powered
An inbuilt wide range switch mode mains power supply is fitted for powering the Beatrice D8+. It is terminated with a standard IEC plug, making it easy to plug in wherever you are in the World. The unit can also be powered via the Ethernet cable by standard PoE (Power over Ethernet) on either of the copper Ethernet ports. The PoE power can be supplied by an external PoE switch or a midspan power injector.
Redundant Twin Copper & Twin Fibre Ethernet Interface
When ultra reliable communications is needed for the utmost important jobs, glitch free redundant network circuits can be set up using the primary and secondary Dante network ports. There are 2 copper Ethernet ports on Neutrik Ethercons and also 2 fibre Ethernet ports presented as SFP slots (SFP modules not included). Redundant networks can be set up across any of these ports. These ports can also be setup as a network switch.
GPIO
There are nine solid state relay outputs. One of these outputs is triggered when any speak key is on (useful for dimming external loudspeakers or red light controls), the other eight are triggered individually when their associated channel receives a call. In total there are 12 loop closure inputs. 10 of these control the talk keys (the 8 channels, talk to group & talk to all) and the other 2 provide internal & external LS cuts
Microphone Level Meter
An eight LED front panel multipurpose indicator is used to indicate the outgoing microphone level.
Channel Input and Output Gain Controls
For maximum flexibility, gain can be applied to incoming audio signals and outgoing signals separately. A row of LEDs indicate the current gain setting when a channel's input or output is being adjusted.
Call Function
A simple call function is inbuilt allowing the operator of one unit to call/alert other users that they want to communicate with. A simple double tap of the speak key initiates a calling signal sent to the other party. The audio presence indicator flashes to indicate that you have been called. As well as the flashing LED at the receiving end of the call, an audible ‘beep’ can be set to alert the user that an incoming call has been placed to them.
Monitor Selection
Each channel has an illuminated audio monitor switch. This allows the channels’ incoming audio circuit to be routed to the headphones/ loudspeakers. Using these switches makes it easy for an operator to just monitor the desired incoming audio channels.
Presence Indication
A front panel illuminated red switch is used to indicate the presence of incoming audio on that channel. When audio is detected on the channel the switches internal red LED is illuminated, the red LED then stays on for a short period after the incoming audio stops to help the operator identify who has been talking to them.
Speaker Output
As well as the front panel internal loudspeaker, a balanced analogue output is provided for connecting to an external powered loudspeaker.
4-Wire Connectivity
Two traditional analogue 4-wire circuits can be connected to two of the D8+'s intercom channels by utilising the versatile analogue inputs and outputs.
Local Input and Output Circuits
For increased versatility there are 2 local balanced analogue audio inputs and 2 local balanced analogue outputs. The inputs have input gain controls and presence detectors on them (just like an intercom’s channel input) and are routed directly to two output channels on the Dante / AES67 network. The outputs are fed directly from two input channels from the Dante / AES67 network.
Mixer Matrix For Partyline
For setting up more complex groups and partyline circuits that could not be achieved via Dante controller or your AES67 router, an inbuilt fixed ratio mixer is supplied. It has 14 audio inputs direct from the network and 19 mix outputs to the network. Five of the mixers have inbuilt automatic audio ducking circuits.
2 units make 16 Channels
Two Beatrice D8+ desktops can be joined together by just a pair of digital S/PDIF cables making a 16 channel intercom unit, with groups, mics, speakers and other resources shared between the 2 units.
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4.4 ★★★★★
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Product Reviews
★★★★★ 5
Great Sequel to Long Halloween
Format: Paperback
This takes all of the great elements of the Long Halloween and keeps it going. The two of those books together is a great story telling. Ticks all the boxes of a great Batman book. If you like this and Long Halloween check out The Penguin show on HBO Max. and if you like The Penguin but haven't read these two books you should since the show pulls a lot of influence from them.
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Reviewed in the United States on November 22, 2024
★★★★★ 5
Worth the price!
Format: Paperback
Great set!
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Reviewed in the United States on November 8, 2025
★★★★★ 5
The Robin Origin Tale We Needed
Format: Paperback
Hot off The Long Halloween Jeph Loeb and Tim Sale return for another murder mystery. This is a direct sequel and follows the aftermath of The Long Halloween. The art is stellar and the story is deep and dark. The trinity of Batman, Dent and Gordon is gone and the isolation is real. At the heart of it, life goes on. Sofia Falcone is back and ready to get revenge. Meanwhile, Dick Grayson's about to go through the darkest chapter of his life. There's a surprise villain who makes a chilling introduction and much more. If you wanted more after Batman: Year One and The Long Halloween, this is the book for you.
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Reviewed in the United States on May 22, 2025
★★★★★ 5
The Best BATMAN Tale since YEAR ONE.
When I first started reading Scott Snyder's run on DETECTIVE COMICS, I was unfamiliar with his work. It seemed like they had just grabbed a new name after arcs done by distinguished writers such as Grant Morrison (which I actually thought was terrible during his RIP arc), Greg Rucka (who did a brilliant job with bringing the character of Batwoman into the fold), and Paul Dini (whose work ranged from not great to just about perfect). Snyder just seemed like a Johnny-Come-Lately, and the previous arc on DETECTIVE had been particularly disappointing, but alas I had faith that another solid arc was due for the Darkknight Detective, so I kept collecting.
Nothing could have made me happier, since Snyder and his partners in crime, artists Jock and Francesco Francavilla had crafted the most solid, unified and smartest Batman tale since Frank Miller and David Mazzucchelli's eponymous BATMAN: YEAR ONE.
Not to get too bogged down in plot detail, but essentially, the "Black Mirror" arc begins with Dick Grayson as The Batman (since Bruce Wayne was too busy fighting his way through time... argh...) and he's closing in on a secret auction where 'collectibles' of Gotham's most notorious villains are being sold to an elite crowd of wealthy degenerates, such as Scarecrow's fear gas and the crowbar actually used to beat Jason Todd almost to death. The main villain of the piece is hardly Batman's most powerful enemy, but it does leave some psychic scars on Dick. Next Dick is forced to deal with a dead woman found in an office building. Hardly worth Batman's specific attention, but what is is that the woman's body was found inside a dead killer whale's mouth in an office building. Making matters more complicated is that the woman this murder is sending a message to is actually the daughter of Tony Zucco, the gangster responsible for the death of Dick's parents.
While these stories are exciting, well-crafted and beautifully rendered by Jock, we enter a much more personal tale of Commissioner Gordon: the return of his son James Jr., who we haven't seen much of at all in his life. Apparently, James Jr. is a psychotic who is taking a new anti-psychotic medication and hopes to return back to society in some way. This becomes a very personal tale for the Gordon family, including Gordon's ex-wife Barbara and of course his daughter Barbara, formerly Batgirl and now the wheelchair-confined information gatherer Oracle. These interludes are illustrated by the brilliant Francavilla, whose every page looks like it's suitable for framing. Unfortunately for everyone involved, Jr. is not exactly what he seems to be and this leads to a small-scale but highly emotionally charged finale.
Scott Snyder did several things in this book that very few before him were able to do successfully. First and foremost, he captured the essence of Dick Grayson bearing the responsibility of being Batman. It's not something he shirks from, but he does feel out of place living in Bruce's penthouse and basically taking the mantle of Batman is no small matter. He is more emotional than Bruce and has more issues with his own fears. Second is that he's one of the few writers to really get the essence of Batman being a detective. While Dick is not as brilliant as Bruce, he was trained by the best, and Batman is not just a machine of brute force dispensing justice with his fists and cool gadgets; he's also considered the world's greatest detective and it's always exciting to see an author with a good handle on that aspect of Batman. Third is Snyder's awareness of Gotham not just being a city, but as being an integral character in the adventures of Batman. There's a darkness to the city that the good people strive to rise above, which is why the partnership of Batman and Jim Gordon has been the lifeline of Gotham's survival. Also on wonderful display here is Snyder's understanding of the supporting cast. He gives all of them equal and necessary life in the story, and has a superb handle on their individual characters.
In the few years since Snyder started in this business, first gaining prominence on AMERICAN VAMPIRE (which is another breath of fresh air to a dying genre) and then his work on DETECTIVE gaining him even greater accolades, he has become possibly the best writer currently at DC. Several people, including myself have heralded him as the next Alan Moore. He has an understanding of character, dialogue and structure that is unusual and continually striking. He's been the standout star of DC's "New 52", continuing his work on Batman with
as well as bringing back one of DC's greatest horror titles,
. He has also continued to establish himself as one of comic's premier horror writers by doing the best horror comic in years over at Image Comics called
(you can find my review of that book via that link), as well as doing a mini-event that explores the beginnings of Gotham City in
.
THE BLACK MIRROR is a Batman classic that people will still be discussing in years to come, as well as his other work in the field. I couldn't suggest more highly picking up any of his books. It doesn't get much better.
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Reviewed in the United States on May 12, 2012
★★★★★ 5
Dark, Brooding and 100% Batman
This review is super-spoilery. If you haven't read The Black Mirror yet, do yourself a favor and go grab a copy ASAP. You won't regret it.
No matter who we are, we can't escape our past. Where we've come from and who we've been leave indelible marks on us. Nowhere is this more true than Gotham City, and in Batman: The Black Mirror, Scott Snyder gives us a glimpse into the Darkness that lies at the core of the city.
If you're not a regular Batman reader, you may not know that everyone in the DC Comics universe thought Bruce Wayne was dead for a while. While he was gone, Dick Grayson - the original Robin - took up the mantle of the Batman. After Bruce Wayne's return, he kept Dick as the new Gotham City Batman.* Black Mirror is actually a story featuring Dick Grayson - not Bruce Wayne - as the Batman.
Snyder's story is one of the best Batman stories I've ever read. It's a dark, brooding and good, old-fashioned detective story. And it actually works better with Dick instead of Bruce under the cowl. That's a writing feat nothing short of miraculous.
Snyder's Gotham is a monstrous city that seeks to poison everyone in it. It turned both Bruce Wayne and Dick Grayson into masked vigilantes. Dick was the child of circus acrobats who were murdered in Gotham. He was taken in by Bruce Wayne, who lost his own parents to Gotham criminals and trained Dick to become Robin. Eventually Dick outgrew the Robin persona and became Nightwing, working in a city near Gotham.
Joining Dick in the spotlight of Black Mirror is Commissioner James "Jim" Gordon, who's no less a victim of Gotham's darkness than Dick. He and his first wife Barbara have a son named James, Jr., who left with Barbara when she and Jim divorced. Jim also has a niece named Barbara who came to live with him after her parents died. Barbara dated Dick in high school, and she became the first Batgirl. In Alan Moore's epic The Killing Joke, the Joker shoots Barbara in the stomach, paralyzing her. In a wheelchair, she's now the Oracle. She serves as the information hub for Batman, Robin and their allies.
The Black Mirror introduces us for the first time to the adult James, Jr., who has returned to Gotham searching for a second chance. We learn from his suspicious father that James, Jr. is a clinical psychopath: he doesn't feel typical human emotion (yes, just like Dexter). But he comes claiming to be on a new medication that stimulates the brain to produce the chemicals psychopaths lack. He reveals that he's volunteering at Dr. Leslie Thompkins' free clinic.
Jim Gordon is suspicious, distrustful. But he can't stop himself from being hopeful, too. Is it possible that his son has found peace and even redemption?
Snyder keeps us guessing about James, Jr.'s true nature through the whole book. We feel the tension Jim Gordon feels, torn as he is between Oracle's pessimism and Dick's optimism. Barbara is convinced that James, Jr. is a monster who can and will never change, while Dick is hopeful.
And so with this tension established, Snyder asks us a most basic question: can we be anything other than what we have been?
We meet Sonja Branch, the estranged daughter of the mobster who killed Dick's parents. A wealthy, successful executive, Dick wonders to Jim Gordon if she's as upstanding as she seems. Dick muses that "it's nice to know that maybe, once in a blue moon, the apple does fall far from the tree in Gotham."
The expression on Jim Gordon's face as he echoes, "Once in a blue moon," reveals that he's still wondering about James, Jr. An old case has led Jim to reflect on his son to wonder yet again what made him the way he is. To wonder what he could've done differently. He concludes that Gotham is fundamentally sick. He wonders to Dick:
Do you ever feel like... like the more good you do or try to do for people out there, for strangers, the more the ones close to you, the ones you love, get hurt? ...I don't mean in general. I mean here. In Gotham... I'm talking about the damn bedrock. There are times I feel a dark heart down there, Dick. A dark, malformed heart.
Since Alan Moore's The Killing Joke, the Batman mythology has suggested that Gotham's villains arise as a response to the Batman's presence. The Joker of Frank Miller's The Dark Knight Returns is comatose, awaking only when news breaks that the Batman has returned to Gotham. And Heath Ledger's Joker in The Dark Knight laughs that Batman thinks Joker wants him dead - the Batman completes Ledger's Joker.
But Snyder dares to step beyond this to suggest that it's Gotham, the city itself that creates both the heroes and the monsters. Gotham created the Batman just as it created the Joker. Gotham created Robin by murdering Dick's parents. And now that Dick is the Batman, we learn that Gotham has been creating a new nightmare just for him.
Dick's opposite, his dark mirror, isn't the Joker. That surprise comes when we finally meet the newly-escaped Clown Prince of Crime after Batman tracks him down. The Joker knows instantly, chastising Batman:
Do you even know what Gotham means, little bird? ...It means a safe place for goats! And do you know what preys on goats? Bats. The bat makes the goat sick. But every bat does this in its own way. And you, you're not my bat!
So what sickness has arisen as a response to Dick's new Batman? By the time we reach Snyder's gut-wrenching, perfectly, agonizingly timed reveal, we realize it could have been no one else but James, Jr.
James, Jr. is a pure, true psychopath. He's reversed his medications - instead of stimulating the brain to produce more of the drugs that give us emotions, James, Jr.'s drug suppresses them. His master plan - an eerie successor to the Joker's inaugural caper - is to drug a factory in Gotham that manufactures infant formula. James, Jr.'s goal is to create a generation of psychopaths, to remake Gotham's children in his own image.
He calmly explains as much to Dick as he tortures his cousin, Barbara:
Gotham is a city of nightmares... in the truest sense because what's a nightmare if it isn't a warning? A vision of yourself at your weakest... Batman - the real one - he shapes Gotham out of an obsession... but you new crop, you do it out of compassion. Out of empathy. Out of weakness... And out of all of them, Dick, you're the weakest.
[Gotham] is a city of nightmares, and I'm yours. I'm the face you see in the glass. A man with no conscience. No empathy. Gotham made me to challenge you... I am Gotham's son. And the city made me so I could help usher in a new generation of children.
Dick proves that his compassion is more a weapon than a weakness, thwarting James, Jr. (probably). But Black Mirror leaves us with an unsettled, uneasy sense that this fight is darker and longer than we thought. We start to wonder if the Batman's quest is actually winnable, in the end.
But Dick Grayson never wonders. That's what separates him from the James, Jrs. of the world. That's what separates him even from Bruce. This is a different Batman. Full of optimism. Playful - he makes jokes and teases his teammates.
Dick's Batman is at once totally different from Bruce's and at the same time wholly Batman.
Most importantly, Dick is hopeful. And it's ultimately that hope that lifts us up over even a surprisingly ambiguous ending. Dick said it perfectly early in the book:
I couldn't understand why Bruce... always chose to drive through the streets, moving on the ground... when he could've just soared above it all. But I get it now. Because even back then he understood that Gotham is a place you can never get above, a place you can never see clearly... I can't help it, though. I'm built differently. Because there's something about seeing Gotham from the sky that energizes me, gives me hope, if only for a moment before I come back down to earth.
Dick hopes that Gotham can be better. It's a hope that transcends anything even Bruce has. And it's that hope that draws him and those around him - like Jim and Barbara to fight the good fight.
Bottom Line: Whether you're a long-time fan of the Batman or only know The Dark Knight, Snyder's book is a must read. The characters are amazing. The plot is fantastic. The art is breathtaking. From start to finish, The Black Mirror is a sterling example of the literary power of comics you'll want to read over and over again.
*Since DC Comics has rebooted their entire franchise, none of this is the case anymore. Bruce is back to being the Batman and Dick Grayson has returned to his role as Nightwing.
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Reviewed in the United States on December 13, 2011