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Press Enter to Continueby Ana Galvan Spanish cartoonist Ana Galva charts an often psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvas world, set in the very near future, is familiar and cautionary at once. Galvas

by Ana Galvan

Spanish cartoonist Ana Galvañ charts an often-psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvañ’s world, set in the very near-future, is familiar and cautionary at once. Galvañ’s unwitting and addictive characters navigate a world of iridescent pastels and geometric energy like puppets. Departments of inhumane resources dehumanize the people it is purported to protect; information is determinedly mined like the gold of the 21st century that it is; induced suicidal thoughts are a tool to manage overpopulation. Galvañ’s near future is less paranoid dystopia than it is a logical extension of things to come, where the malice of large corporations manifests in small, everyday ways—real if a bit surreal at the same time.