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New IdentitiesVor zehn Jahren endete mit den ersten freien Wahlen das System der Apartheid in Sdafrika. Insbesondere die bildende Kunst leistet entscheidende Beitrge im gesellschaftlichen Umbruchsprozess: In der Vielfalt der zeitgenssischen sdafrikanischen Kunst lsst sich das Streben nach einer neuen nationalen Identitt, die auf wechselseitiger Achtung des jeweils Anderen basiert, auf intensive Weise erleben. Der Band erffnet einen umfassenden Einblick in die
Vor zehn Jahren endete mit den ersten freien Wahlen das System der Apartheid in Südafrika. Insbesondere die bildende Kunst leistet entscheidende Beiträge im gesellschaftlichen Umbruchsprozess: In der Vielfalt der zeitgenössischen südafrikanischen Kunst lässt sich das Streben nach einer neuen nationalen Identität, die auf wechselseitiger Achtung des jeweils Anderen basiert, auf intensive Weise erleben. Der Band eröffnet einen umfassenden Einblick in die Kunstszene Südafrikas: Vorgestellt werden 17 Künstler mit zumeist aktuellsten Werken, international bekannte Künstlerpersönlichkeiten wie Jane Alexander oder der Documenta-Teilnehmer William Kentridge und in Deutschland noch eher unbekannte Künstler. Neben Malerei, Plastik, Zeichnung, Installation, Fotografie und Video werden auch traditionelle künstlerische Ausdrucksformen wie Ndebele-Wandmalereien oder Stickbilder als gleichberechtigte Kunstäußerungen gezeigt, ebenso Arbeiten, die - aus der finanziellen Situation der Künstler heraus - aus dem Recycling von Wohlstandsmüll entstehen. Themenkomplexe der Identitätsbefragung, der Auseinandersetzung mit Urbanität und Multikulturalität sowie das bedrängende Thema AIDS gliedern die Präsentation. Die vorgestellten Künstler: Jane Alexander, Kay Hassan, William Kentridge, David Koloane, Johann Louw, Rossina Maepa, Esther Mahlangu, Santu Mofokeng, Zwelethu Mthethwa, Samson Mudzunga, Sam Nheengethwa, Berni Searle, Penny Siopis, Andrew Tshabangu, Minnette Vári, Sue Williamson Ausstellungen: Museum Bochum 31.7.-7.11.2004 · Pretoria Art Museum 20.1.-27.2.2005 · Johannesburg Art Gallery 3.4.-29.5.2005Shipping Notes
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4.4 ★★★★★
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★★★★★ 5
Love
Color: 1BK/1C/1Y/1M
Works very well. Color is on point. Worth the money. No clogs. No leaks.
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Reviewed in the United States on May 6, 2026
★★★★★ 5
Great overall
Color: 1BK/1C/1Y/1M
Great price, great quality and super easy to use!
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Reviewed in the United States on April 20, 2026
★★★★★ 5
Easy to use vibrant colors
Color: 1BK/1C/1Y/1M
This is a great sublimation ink!!
Easy to use, easy to fill my epson ecotank
Great colors when heat pressing
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Reviewed in the United States on April 16, 2026
★★★★★ 5
My Go-To Sublimation Paper — Flawless Results Every Time
Size: 8.5"x11", Size: 8.5"x11"
This is hands down the best sublimation paper I’ve used and the only one I continue to buy. I get a perfect transfer every single time—no fracturing, no fading, and no uneven results. The paper dries fast, which makes my workflow so much smoother, especially when I’m producing items in batches.
I use this regularly to make air fresheners and tote bags for my small business, and the color payoff is always vibrant and crisp. The transfer rate is excellent, and it works beautifully on light-colored, high-quality polyester and other sublimation-ready surfaces.
If you’re a small business owner or crafter who values consistency, quality, and ease of use, this paper is absolutely worth it. I highly recommend it and will continue to repurchase.
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Reviewed in the United States on January 24, 2026
★★★★★ 5
Best Sublimation Paper
Size: 8.5"x11"
I’ve been using A-Sub paper for my sublimation projects, and it is easily one of the best. The ink dries almost instantly once printed, so I don’t have to worry about smudging the design or getting those annoying "pizza wheel" marks from the printer rollers. The paper itself feels substantial and doesn't tear or curl easily. One of the biggest wins for me is that it never jams; it feeds through perfectly every time, saving me the frustration of wasting expensive ink and paper.
When I go to press my designs, the ink releases almost completely, leaving very little behind on the paper and putting all that color onto the project. The final results look super professional, with colors that are vibrant and sharp rather than looking faded or dull. It has worked perfectly for everything I’ve tried so far, and if you want a reliable paper that gives you consistent, high-quality results, this is definitely the one to get.
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Reviewed in the United States on February 25, 2026